Showing posts with label comedy. Show all posts
Showing posts with label comedy. Show all posts

Wednesday, November 7, 2012

Not Quite There: Hell Comes to Frogtown


Going For It:
  • Wrestling legend "Rowdy" Roddy Piper
  • Frog people with decent make-up/costumes
  • That's about it...
The Case Against:
  • Severely uneven tone for the protagonist in the writing
  • Severely dull
  • Severely disappointing
MMG Says:

While we are a proud people here at the Man Movie Guide, we are not afraid or ashamed to admit when we were wrong.  This is one of those instances.  You will have noticed that some time back we posted, on its lonesome, the trailer for 'Hell Comes to Frogtown'.  In MMG-ese, that is our way of saying that we approve of that movie and that it qualifies as a true Man Movie up for review on down the road.

Let us set the stage for you:  Post apocalyptic.  Starring Roddy Piper, wrestling legend and pitch perfect star of MMG favorite 'They Live'.  The protagonist is named Sam Hell, one of the few times we endorse a cute/clever character name.  Sam is an exceedingly rare fertile man in a world that consists only of the following: fertile women, desert wasteland, fertile women, mutant frog people, and fertile women.  Sam is contracted by the government to begin repopulating civilization.  This, dear reader, is a can't-fucking-lose proposition... right?  Not so.  Not so.

The movie starts off nicely enough.  Piper is detained for a crime before the movie begins.  In the initial few scenes he is a wisecracking jokester; and while not every line hits its mark, it is a very good indication that we are getting our hands on the one-liner wisenheimer brand of action hero in this movie.  Only this never really happens.  The viewer must slog through an entire movie as bare and bereft of life as its arid backdrop. The action is few and far between, fairly somnambulent, and Piper doesn't do quite the ass-kicking job that we'd come to expect from either the ring or 'They Live'.  Piper's character even loses his charm pretty quickly; as his 'sit-on-it-and-spin' attitude largely falls prey to a messianic mope routine with occasional bouts of slapstick (centering around his genitals in an electric chastity belt and his ability to cross his eyes... which is oddly not related to his balls' predicament).

As for the supporting cast, it's a mixed bag.  We get a super butch/fairly attractive commando who shows off her tits while escorting Piper.  And if you have a thing for Katey Sagal, then perhaps you can make a case for watching the movie, since there are extended scenes of her bordering-on-malnourished doppelganger prancing around in assorted lingerie.  Then we have poor Rory Calhoun, who genuinely looked and sounded like his handlers had to unhook his oxygen tank between takes (he seemed so close to death that we actually had to check on the proximity of this movie to his actual demise... and astonishingly he held on for another 11 years, and worked another 5).  Lastly, there are the frogs.  There isn't a whole lot to say about them, except that looking at them was one of the scant pleasures this reviewer got from the movie.

This movie, like so many others that fall short, failed to achieve true Man Movie status because it tried to walk in both the light and the dark.  If it resorted to Lloyd Kaufman (Troma) antics?  We have ourselves a winner.  If it went the route of all the killer action movies of the 80s, the Golden Age of the one-liner action film, and focused more on making Piper an ass-kicker who always says something droll after offing a frog? We'd worship it as a direct-to-video masterpiece.  Instead we're left with a movie that gets a passing grade only because we're proud they tried.

Monday, September 24, 2012

GIFs: Death Race 2000

Tonight we look back on a truly bizarre and amazing movie, and our first review: Death Race 2000!

Manly as fuck...


All intros should look like this...

Bye Bye, baby...Hello seventy points...

NOW don't you want to see it?


Thursday, December 8, 2011

Tango & Cash


by TheDavidMo

At first blush, Tango & Cash seems just like another paint-by-numbers buddy cop movie from the 80s.  More than that, it almost seems as though the makers of the movie were adhering to some sort of guy movie checklist  when coming up with it: gratuitous tits shot?  Check.  Pointless series of explosions?  Check.  After-punch quips aplenty?  Check.  So what does this movie offer that others of the same genre don't?


The answer is-- aside from Sylvester Stallone's ridiculous wearing of smart-guy glasses-- not much.  But this is just it: within T&C's rigid formula is a kind of purity that sets us free-- inviting us to have some beers, relax with some friends and hurl insults and wise cracks at the alternatively absurd, illegal, implausible, gay, and downright suicidal antics of Stallone's Tango and Kurt Russell's Cash.  Many a conversation will there be about "what would really happen" if a human being tried to do the things that Tango and Cash attempt throughout the course of the movie; from sliding down a high-tension power line with a belt to being lowered into a drum of electrified water (the dangers of electricity is, inexplicably, a recurrent theme).  And it is guaranteed that the room will puzzle over the various plot holes and absurdities encountered along the way... such as why the LAPD has a lavishly funded research and development arm whose only purpose seems to be the attaching of guns to things, or why Teri Hatcher drums during her stripper act, or why the newspapers in LA seem to have some kind of ranking system in place for cops (as in, Tango is the number one cop in LA, and Cash-- whose bust is featured below the fold-- is the number two cop).
Most of the actual elements are incidental: the by-the-book cop wears glasses, the loose cannon wears Hawaiian shirts.  The bad guy is Jack Palance, and the whole story revolves around a frame-up or a drug cartel or something.  And that's all you need to know, really.  The rest is taken care of by the steady drumbeat of one-liners supplied by Tango, Cash-- and you and your buddies.

Friday, November 18, 2011

The Big Lebowski

     What do you get when you craft a noir around a slacker ex-hippie, porn, a gang of German nihilists, bowling, and a Busby Berkeley-esque musical number? Try a pantheon Man Movie that belongs on the Mt. Rushmore of Man Movies, if there were such a thing (and you know there really ought to be).
     Jeff Bridges is powerfully believable as Jeff "The Dude" Lebowski; a burnout of epic proportions who spends his days listening to classic rock, smoking weed, drinking white Russians, and bowling. He becomes ensnared in a world of intrigue, crime, and emotionless sex due to a case of mistaken identity (he happens to share the same name as a handicapped altruist) and a befouled rug. His constant fuck-ups, and they are constant, lead him further down the rabbit hole as he decides to do some sleuthing along with his bowling buddy and semi-crazed Vietnam vet, Walter, as played by a born-for-this-role John Goodman.
     The plot gets convoluted very quickly, and involves twists and turns as only the Coen Brothers can bring on. The ensemble cast is highlighted by Sam Elliott (you might recognize that mustache and voice from any number of westerns) as an omniscient cowboy, Flea from the Red Hot Chili Peppers as one of the aforementioned nihilists, Julianne Moore as a painter with unusual (and nude) methods, and John Turturro as a comically over-the-top pedophile.
     Not to get too religious or anything, but if God were asked to make a movie, it might well be this one. The best part of that statement is that this might be underselling the movie a bit.

The Big Lebowski Trailer